O what a rogue and peasant load of detestable balls!

Enough of this idiocy! I never thought I'd drink to see the day when Mick Hume (Dogtooth's man of the moment) didn't go far enough - although in his defence, he writes for a respectable blog and must of needs retain some public relations, not having a faceless pseudonym to take the blame for all his vitriole and aggressive journalism.

In short, Dogtooth feels he can say with some confidence that he does not feel in the slightest bit apologetic for the slave-trade. I might as well apologise for the Bay of Pigs or the Harrying of the North. Remorse is a personal affliction, to be dealt with personally by those whom it visits. I suppose I could plead, like Paxman did tonight, that my family were not remotely implicated in the trade - but even this is a weak line of reasoning. Let us suppose for just a moment that 3 generations of my family had profited handsomely from the transportation of slaves to plantations in the West Indies; that my great-great-great-grandfather had owned a remunerative fleet of slavers in Liverpool; that my grandfather had experimented on Jewish babies at Buchenwald and that one of my maternal uncles were a Manson...

...Regret - that the ignorant public associates me with such historical bloopers? Possibly. Remorse on behalf of my "forefathers"? Absolutely not. The Post-Newt has long maintained that family is a myth. And I refuse blankly to be held to account for the actions of those whose only claim on my identity is some similar DNA or a common blood group.

And I'm sorry, but this feeble mantra of 'Slavery's still with us!' will have to bite the dust as well - in spite of Madeleine Bunting's bleeding heart. Yes, there is still sex-trafficing and exploitation of migrant labour, but this, need I say, is a far cry from the African slave trade, which enjoyed social, governmental and commercial support.

Of course, I am forced to concede on a point that no-one had yet made. In the early days of abolitionism in both England and the States, only a handful of people raised their heads above the political parapet. I have to confront the fact that, in all probability, my attitude to slavery would have been one of support or indifference. But personality is the fickle darling of history. As a lusty carnivore, I am certainly a pariah in the making - the next century's moral scapegoat. Killing animals and eating their flesh is dispicable, surely...

Andy Goldsworthy intrigues me...Or rather I should say: his work is very engaging. For, as he proved in interview tonight, it is repeatedly necessary to separate artists from their creations. Most absorbing were the fallen tree which Goldsworthy framed with a brick-wall enclosure, and the glass window covered in densely-packed manure, leaving only a serpentine portion of uncovered glass running from one side to the other, whose resemblance to the Thames unhappily conjured in my mind the Eastenders closing credits. In spite of this, the work is an appealing spectacle. Goldsworthy, naturally, spoke of 'deeper levels', and the importance of the caked manure in reminding the squeamish public why grass grows and crops flourish. As a viewer, I struggled to incorporate arable farming technique - and my sensibilites relating to this subject - into my appreciation of the piece. But I liked the funny colours and the windey-woundy glassy snakey thing.